What Do Sub Woofer Speakers
Really Do?
Only sub woofer speakers can deliver that deep bass
that you can actually feel. To most humans and animals, the distant rumbles of
ultra-low bass frequencies signal impending danger. Dogs prick up their ears.
Wild animals dart through the forest, seeking shelter. The subsonic
reverberations of an approaching thunderstorm, earthquake or distant explosion
are universal sounds of foreboding.
Producers and sound engineers of blockbuster movies know this, so they add lots
of bottomless rumbles to the soundtracks of movies about war, monsters,
submarines, aliens and catastrophic natural events. In big commercial cinemas
equipped with an array of powerful
sub woofer speakers, these subterranean
sounds heighten the realism of the movie surround sound experience, letting you
thrill to the mayhem and catastrophe from the safety of a comfy movie seat.
Fidelity to the deepest bass sounds is just as important with music. Pop and
rock musicians as well as classical composers understand the power of deep bass.
It provides the propulsion for rock songs and is the foundation on which
classical symphonies are built. The swell of a huge pipe organ or thrill of a
bass drum lends grandeur to classical symphonies and movie soundtrack scores
alike. Imagine the opening to Kubrick's classic film 2001 Space Odyssey without
the powerful below-30-Hz organ tones and pounding drums of Strauss's theme from
Also Sprach Zarathustra?
If we are after realism and fidelity in our home theaters, we've got to have
those deep subterranean frequencies that can only be delivered from sub woofer
speakers. They are what make movies rock, whether in the cinema or your home
theater. But they are tough to generate and a huge challenge to a speaker
designer.
The Fundamentals Still Apply
It isn't clearly understood by most listeners that what many of us describe as
“deep bass” isn't all that low. Taken at face value, the “sub” part of sub
woofer speakers means that it should properly deliver deep bass that is below
the range of a conventional woofer (bass driver) in a normal speaker system. The
problem is that the output of most good conventional sub woofer speakers starts
to diminish in the 35-Hz region, and woofer output below that frequency begins
to rapidly weaken. Still, many listeners are content with some solid bass in
this range. And a rocking electric bass doesn't go deeper than 40 Hz. As long as
lots of conventional sub woofer speakers deliver adequate output in this region
and a bit lower, many listeners are satisfied because there is at least the
suggestion of deeper bass, if not actual subwoofer output at the frequencies
that signal the approach of Godzilla.
But what of those specifications that
claim serious subwoofer output to 20 Hz or below? The manufacturers aren't
lying: Some of those subs really do produce output at those frequencies, but the
way it's measured involves some creative measurement techniques.
Conventional subwoofers do not just stop dead when they reach their limits of
deep bass output. In speaker design lingo, we say that sub woofer speakers
“rolls off,” or gradually produces less and less output below a given frequency.
For example, all of the highly regarded sub woofer speakers that Axiom purchased
and tested (which shall go unnamed) began to die at 33 Hz or above, although all
the specifications claimed significant output to 20 Hz.
In other words, a
typical sub may have substantial output at 35 Hz, significantly less by 30 Hz,
and perhaps a teensy bit at 25 Hz. The woofer cone may move a bit, but its
output will be minuscule—such that you won't hear it in a normal living room.
Indeed, the only way for the manufacturer to measure it is to place the sub in a
small space (a bathroom or closet would be best) along with the measurement
microphone; we all know how well a subwoofer measures in the tiny interior of
your car.
The Challenge
We feel sound as well as hear it, so for maximum impact (the profoundly deep
sounds you hear from huge sub woofer speakers in some cinemas), you want strong,
real, loud undistorted output to 20 Hz and below. Compounding the challenge is
another obstacle that relates to how we hear. To make 20-Hz and deeper tones
audible requires a great deal more amplifier power and low-frequency output than
do midrange and high frequencies. And conventional sub woofer speakers just
cannot pressurize enough air in a big room to make those low sub frequencies
audible.
This is how
Axiom saw the challenge—to produce a sub woofer speakers that are
still manageable in all their dimensions, affordable to many, had an extremely
powerful amplifier, and would move enough air in large rooms to deliver
authentic low frequencies, undistorted, at very loud playback levels for home
theater movies and music. Axiom knew that to achieve this performance, the laws
of physics couldn't be ignored: a large box, a huge amplifier, and a big driver
that wouldn't overload when it was pushed by hundreds of watts.
The Amplifier
 Early on in the design process at
Axiom, an all-analog amplifier design was
considered...and rejected. Why? Analog amplifiers have only about 50%
efficiency, so if the sub woofer speakers require a 500-watt analog amplifier to
drive a 12-inch driver in a large enclosure, it meant that the amp would draw at
least 1,000 watts from the AC line. Unfortunately, there is limited access to
total power from a house AC outlet. At the least, such a subwoofer might trip
the circuit breakers at peak output or cause brownouts and disrupt performance
of other household electrical appliances, including your projector or TV.
The alternative to this scenario was apparent: a digital switching amplifier,
because of its inherent high efficiency of 90%. Many existing sub woofer
speakers already use digital switching amplifiers because they are efficient,
cool-running, lightweight, and relatively economical. But conventional digital
subwoofer amplifiers have a severe limitation: no headroom. When a digital
amplifier reaches it output limits, instant distortion results. And given that
movie soundtracks and large musical works have sudden dynamic swings that demand
sudden bursts of power, this didn't seem the appropriate choice.
The solution was to design an analog power supply (not a digital switching
supply) that would give the digital amplifier plenty of headroom for large
dynamic peaks. Additionally, output devices were selected for their ability to
deliver huge amounts of current. The new design produces 600 watts with headroom
to spare.
Axiom also realized that an entirely new driver design would be
required to handle such power and attain the design goal of deep bass response
to 17 Hz with a maximum undistorted output greater than 110 dB SPL.
The Driver and the Box
 A massive 12-inch aluminum-cone driver with a 3-inch diameter dual voice coil
was designed (the dual voice coil lowers the internal impedance to 1.3 ohms, so
the digital amp can utilize high-current drive)(pictured left). In terms of deep
bass extension, Axiom knew that total box volume vs. driver diameter still rule,
so a vertical enclosure measuring about 46 x 15 x 17 inches was proposed. By
combining the new driver with the application of a very long tuned port (3
feet!) in a large enclosure and the assistance of the XLF (Digital Signal
Processing of the response), the desired bass extension to 16 Hz in an anechoic
environment was achievable.
Digital Signal Processor
But one enormous problem remained: how to make the sub woofer speakers deliver
smooth and consistent performance to its output limits (16 Hz) without
overtaxing the driver and the amplifier. The answer was to use Digital Signal
Processing, and a custom-designed “algorithm.” The latter term is in common
usage amongst digital engineers (not so common to acoustical engineers though),
and in essence, it's a kind of digital road map that can be programmed by the
engineer to command a digital signal to perform in a particular way with a
specific driver. The Axiom
EP600's DSP circuit and algorithm know in
advance the performance goals of the sub, the output capabilities of the
powerful digital amplifier, and the capabilities of the new driver. It
automatically corrects any slight deviations of the big woofer away from the
design goal, and it also prevents the subwoofer amplifier from exceeding its
output limits and going into distortion. The results are subwoofer speakers that
offer unprecedented performance. The EP600's output measured anechoically
(in a room with total absorption) or in free air, extends to 17 Hz +/-1 dB and
to 16 Hz +/-3 dB. Used in a typical room with the boundary reinforcements that
normally apply, extension to 13 Hz is possible. The EP600's XLF (Extended
Low Frequency algorithm) DSP enables maximum sound levels to an unprecedented
111 dB anechoic, and 122 dB SPL in a typical room, output and extension that are
clearly able to reproduce Godzilla's footfalls at real-life levels!
And because of the DSP, the
EP600 can't be overdriven into distortion.
You can keep increasing the volume level with impunity. It will reach its
maximum and go no further, nor can you damage the driver. All the time the DSP's
algorithm tells the amplifier to stop delivering more power to the driver to
prevent distortion.
While it's operating, the DSP constantly monitors the power supplied to the
driver, correcting any tendency for the driver and system to deviate more than
1.5 dB away from the performance goal (linear output in an anechoic
environment). What this means in practical terms is that if you feed any
frequency between 17 Hz and 100 Hz to the EP600, it will deliver that frequency
with, at most, an undetectable variation of 1.5 dB. And it will mine even lower
frequencies with as much precision, all the way down to 17 Hz with the same 1.5
dB of variation.
Some of the
EP600's other characteristics are relevant: It weighs 100
pounds, and you can request it in a horizontal version so you can conceal it
behind a sofa or put it away at one side of the room. And for those willing to
accept just 2 dB less in maximum output (109 dB anechoic/120 dB in-room) and a
bit less extension to 19 Hz anechoic and 15 Hz in-room, there is the
EP500, a somewhat smaller version with the same massive driver, slightly
less power output (500 watts vs. the larger sub's 600 watts), and is hundreds of
dollars less.
by Alan Lofft
Click here to learn more about these
sub
woofer speakers.
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